Lise Sarfati, through Nov. 26
At MILO, 525 W. 25th St. 212-414-0370
Sarfati, a French photographer makes her U.S. solo debut with modestly scaled color portraits of young Americans, many of whom pose in their homes as well as in public spaces. Although Sarfati has clearly attempted to connect with her solitary sitters, the work has an uneasy, staged quality that recalls Philip-Lorca diCorcia, Katy Grannan, and recent Nan Goldin. But this strain—and the sense that these kids are playing heightened versions of themselves—gives the photos a tension that the photographer further tightens with an unerring eye for composition.. (.)
Ken Schles, through Dec. 17
At Schoormans, 508 W. 26th St. 212-243-3159
Schles may never again reach the height of gritty verite he hit with Invisible City, his hellishly brilliant 1988 photo-essay on the young and the wasted in Alphabet City. But he has not lost his ability to get under the skin of urban life, and his new work, made in the course of a project in Holland, finds him on solid ground. His subjects are ordinary citizens seen in passing: waiting for a train, sitting on a bus, peering through a cafe window. Although occasional eye contact is made, nothing is revealed. So it is hard to account for the vague but persistent sense of yearning, unless the muffled melancholia is the photographers own.. (.)
Fra Angelico, through Jan. 29
At Metropolitan Museum, Fifth Ave. at 82nd St. (212-535-7710)
Learn your art history. One of my all time favorites.
You can see some seventy-five paintings, drawings, and illuminated manuscripts by the fifteenth-century Tuscan artist, as well as additional works by his assistants and followers.
And Santiago Calatrava, through March 5
also at the MET
Sculpture Into Architecture.
SAFE, through Jan. 2.
MoMA, 11 W. 53rd St. (212-708-9400)
Open Wed through Mon, 10:30 to 5:30, and Fri evenings until 8
Design Takes on Risk, an exhibition of objects designed to ward off, stanch, or manage disaster.